House of Mirth and Willa Cather’s My Antonia. Wharton’s “well-made novel” about the restrictive rules of the marriage game in New York society will be compared with Cather’s celebration of the pioneer women of the American West. Another comparison will involve the women writers of the Paris Left Bank in the 1920's (Gertrude Stein’s Three Lives) with women writers of the Harlem Renaissance (Hurston’s Their Eyes Were Watching God and Nella Larsen’s Quicksand and Passing).
The second half of the course will examine the efforts of American women poets to rewrite the mythology of women (Anne Sexton and Adrienne Rich) and of contemporary women novelists to reinterpret American history (Toni Morrison’s Beloved). Throughout the course we will look at these writers in the light of some seminal works of criticism and theory.
Attendance: Required
Means of Evaluation: Two short critical papers and ungraded response papers
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