Milton; Shakespeare; Politics and Philosophy; Biblical and Religious Culture; Book History; Renaissance Literature
Professor Fulton writes about the cultural intersections of politics and religion, about problems in rhetoric and generic form, and on the history of reading and media history. His work on Erasmus, Shakespeare, Donne, Milton and other medieval and early modern writers has appeared in several journals and edited collections. His first book, Historical Milton: Manuscript, Print, and Political Culture in Revolutionary England (2010), uses the manuscript record of Milton’s thinking – mainly the reading notes in his commonplace book – to analyze Milton’s rhetorical methods and reading practices in the broader context of early modern methods of reading, note-taking, and writing. A similar set of interests motivates his second book project entitled The Book of Books: Biblical Interpretation, Literary Culture, and the Political Imagination from Erasmus to Milton, which investigates the intersections of biblical interpretation and literary production during the English Renaissance, focusing on such texts as Erasmus’s Education of a Christian Prince, Tyndale’s Obedience of a Christian Man, Spenser’s Faerie Queene, Shakespeare’s Measure for Measure, and Milton’s Paradise Lost.
Professor Fulton has also edited a few collections of essays, most recently The Bible on the Shakespearean Stage (2018), co-edited with Kristen Poole, which investigates the ways that Shakespeare engaged contemporary practices of biblical interpretation. In a related edited volume, The Bible and English Readers (JMEMS, 2017), a group of ten international scholars attempt to reconstruct the reading habits of both unknown and well-known biblical readers, asking what these reconstructions of readership tell us about biblical reception, English religion, national identity, and literature. With his colleague Ann Baynes Coiro he co-edited Rethinking Historicism from Shakespeare to Milton (2012), which reconsiders the practice of historicism and cross-disciplinary scholarship in a series of essays from major scholars.
Thomas Fulton is the recipient of a Folger Shakespeare Library Long-term Fellowship, a National Endowment for the Humanities Fellowship, several grants from the Folger Shakespeare Library, a Beinecke Rare Book and Manuscript Library Fellowship, a Mellon Fellowship, and a Goheen Prize in Classical Studies.
Professor Fulton particularly enjoys teaching Shakespeare in performance, and leads a group of students to study Shakespearean drama with the Royal Shakespeare Company in Stratford-upon-Avon, and at the Globe Theatre in London in the summer travel course, Shakespeare in England. He is eager to advise graduate students with a wide variety of interests.
43 Mine Street, Room 204, College Ave Capmus
Tuesday 1-3 p.m. and by appointment.
- Seminar: John Milton
- Principles of Literary Study
- British Literature to 1800
- Shakespeare: The Elizabethan Works
- Shakespeare: The Jacobean Works
- Utopia and Dystopia: Political Fiction from Plato to the Present
- Vices, Machiavels, and Revengers: A History of English Tragedy
- Shakespeare in England, A Travel Course
- Advanced Research Methods
- Book History and the Early Modern Text
- Literature and Revolution: Social and Scientific Discovery in the Age of Milton
- Renaissance and Reformation from Erasmus to Milton
- Mastering Research Methods at the Folger (Folger Library)
- The Bible and English Readers, a special note of The Journal of Medieval and Early Modern Studies, 2017 (vol. 47, no. 3). Best Special Award, from the Council of Editors of Learned Journals, MLA 2019.
- NEH/ Folger Shakespeare Library Long-term Fellowship, 2015-2016
- Solmsen Fellowship at the Institute for Research in the Humanities, 2015-2016 (declined)
- Rutgers Research Council Grant, 2010
- National Endowment for the Humanities Fellowship, 2008
- "English Bibles and Their Readers" in the Journal of Medieval and Early Modern Studies, vol. 47, no. 3 (Duke University Press, 2017).
- "Toward a New Cultural History of the Geneva Bible" in the Journal of Medieval and Early Modern Studies, vol. 47, no. 3 (Duke University Press, 2017).
- “Gilded Monuments: Shakespeare’s Sonnets and the Mediated Text,” in Comparative Textual Media: Interplays between Making and Critique, ed. byN. Katherine Hayles and Jessica Pressman (University of Minnesota Press, 2013)
- “New, Old, Now,” Introduction, with Ann Baynes Coiro, to Rethinking Historicism
- “Historicism, Rhetoric, and Ideology: Erasmus, Colet, and the Present,” in Ann Baynes Coiro and Thomas Fulton, eds., Rethinking Historicism from Shakespeare to Milton, ed. with Ann Baynes Coiro (Cambridge: Cambridge University Press, 2012).
- Rethinking Historicism from Shakespeare to Milton, ed. with Ann Baynes Coiro (Cambridge: Cambridge University Press, 2012).
- "John Milton's "Digression" in The History of Britain: An Online Facsimile Edition of
Harvard MS Eng 901 (http://scholarworks.umass.edu/umpress/hm)
- "Paradise Lost and the English Revolution," in Peter Herman, ed., Approaches to TeachingParadise Lost (MLA Publications, 2011).
- "Shakespeare's Everyman: Measure for Measure and English Fundamentalism," Premodern Shakespeare: A special issue of Journal of Medieval and Early Modern Studies 40.1 (2010): 119-47
- "Edward Phillips and the Manuscript of the 'Digression'"
Milton Studies 48, 2008
- “Speculative Shakespeares: The Trials of Biographical Historicism”
Modern Philology 103.3, 2006
- “Mankind in a Year without Kings”
with Jessica Brantley, Journal of Medieval and Early Modern Studies 36.2, 2006
- “Areopagitica and the Roots of Liberal Epistemology”
English Literary Renaissance 37.1, 2004
- "'The True and Naturall Constitution of that Mixed Government': Massinger's The Bondman and the Influence of Dutch Republicanism"
Studies in Philology 99.2, 2002
- “Hamlet’s Inky Cloak and Donne’s Satyres”
The John Donne Journal 20, 2001
PhD, Yale University
BA, University of Wisconsin-Madison
- New Faculty Profile: Thomas Fulton by John Koblin
- “Milton and the Cultures of Print: An Exhibition of Books, Manuscripts, and Other Artifacts: February 3, 2011 – May 31, 2011,” published by Rutgers University Libraries
- Shakespeare in England