Summer 2025 Undergraduate English Courses

E1 05/27-07/03  01185  Online Asynchronous BRONSTEIN E2 05/27-07/03 01186  Online Asynchronous GANIY  E3 05/27-07/03  08618  Online Asynchronous OMIROVA  E4  05/27-07/03 01187  Online Asynchronous PAIGE E5 05/27-07/03  08613  Online Asynchronous TSUDAMA  E6 05/27-07/03  08615  Online Asynchronous SCANLON R1 07/07-08/13 08614 Online Asynchronous BEATTY R2 07/07-08/13 01189 Online Asynchronous CODNER R3 07/07-08/13 01190 Online Asynchronous EDWARDS R4 07/07-08/13 01191 Online Asynchronous JARAMILLO R5 07/07-08/13 01192 Online...

R1   07/07-08/13 08616 ONLINE ASYNCHRONOUS MOLINA   Women Who Eat: Food, Deviance, Pleasure, and Power in Black Women’s Writing Black women in the United States have historically experienced a complicated relationship to food. At once, food represents the nation’s violent consumption of Black women’s bodies and labors while also serving as the means for political action, autonomy, and joy. This course focuses on Black women—writers and characters—who eat back at dominant society’s racialized,...

E1   05/27-07/03    08611  ONLINE ASYNCRONOUS   CHAMBERS R1   07/07-08/13    00953  ONLINE ASYNCRONOUS   CHAMBERS   In this course, students explore media literacy through the analysis and creation of myriad forms of digital media. The focus of this course is twofold: to develop critical thinking skills around narrative within a digital context and to create ‘original' multimedia projects, dissolving the divide between fiction, nonfiction, poetry, essay, journalism, and personal narrative. We investigate if it’s...

E6   05/27-07/03    00955   ONLINE ASYNCHRONOUS   REHILL R1   07/07-08/13    00957  ONLINE ASYNCHRONOUS    POWELL

E6  05/27-07/03   01023   ONLINE   AND ASYNCHRONOUS       NIGRIN    This remote learning lecture-discussion focuses on the relationship between cinema and aesthetic movements in the arts. Films to be screened include Blood of a Poet, The Man Who Fell To Earth, 2001: A Space Odyssey, The Draughtsman’s Contract, The Red Shoes, Mulholland Drive, and others. Warning: some films may contain nudity, sexual situations, violence, profanity, substance abuse, and disturbing images.

E1  05/27-07/03   08617   CARGES  ONLINE BY ARRANGEMENT    Dreams, Knights, and the Plowman: Allegory and Imagination in Medieval Literature Female knights fight a gory, deadly battle within a person's mind. A mysterious plowman seems to be humanity's best hope against the apocalypse. A dreaming poet is caught by a golden eagle and flown to a temple atop a mountain of ice and a spinning wicker house that makes a deafening sound.  These fantastical scenes all come from the medieval allegories that we will...

R6   07/07-08/13  01117    ONLINE  ASYNCHRONOUS      BARRIENTOS

E1 05/27-07/03 08619 ONLINE ASYNCHRONOUS  HAAS   Scandals on Stage: Gossip, Reputation, and the Rise of the Actress How might centuries-old gossip enrich our understanding of Restoration and early-eighteenth century theatre and drama? How did the introduction of the first generation of actresses ignite and transform the British stage and the lives of the theatre-going public? How did early actresses create, cultivate, and even weaponize their notoriety, and to what extent did said notoriety...

E1 05/27-07/03 08620 ONLINE ASYNCHRONOUS ROSENTHAL    Horror and Hilarity: Dark Pleasure in 19th c. British and American Gothic Literature This course will explore an array of 19th c. British and American texts that can be classified as gothic: stories of monsters, violence, insanity, dread, and the supernatural. The texts in this course will primarily be composed of novellas, short-stories, plays, and a smattering of poetry. We will read iconic and lesser-known works to better understand how the...