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  • Imani D. Owens
  • Imani D. Owens
  • Associate Professor of English
  • Unit: Associate Chair
  • At Rutgers Since: 2019
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  • Office: Murray Hall, Room 047, College Ave Campus
  • Primary Areas of Specialization: twentieth and twenty-first-century African American and Caribbean fiction and poetics, Harlem Renaissance, translation studies
  • Field of Interest: African-American & Diaspora, Caribbean, Drama & Performance Studies, Hemispheric, Poetry & Poetics, Postcolonial, Sound Studies, Translation, Twentieth Century, Twenty-first Century
  • About:

    Imani D. Owens studies and teaches African American and Caribbean literature, music, and performance. Her book Turn the World Upside Down: Empire and Unruly Forms of Folk Culture in the U.S. and Caribbean (Columbia University Press: Black Lives in the Diaspora series) charts the connection between literary form and anti-imperialist politics in Caribbean and African American texts during the interwar period. Her research has been supported by a Postdoctoral Fellowship in African American Studies at Princeton University, a Woodrow Wilson Career Enhancement Fellowship, and an NEH funded residency at the Schomburg Center for Research in Black Culture. Her work has appeared in the Cambridge Journal of Postcolonial Inquiry, Caribbean Literature in Transition, the Journal of Haitian Studies, MELUS, and small axe salon. She is currently a faculty fellow at the Rutgers Institute for Global Racial Justice and the Center for Cultural Analysis.

  • Book(s):
    "Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean" by Imani D. Owens
    Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean
  • Awards:
    • Faculty Fellow, Institute for Global Racial Justice, 2021-2022
    • Faculty Fellow, Center for Cultural Analysis, 2021-2022
    • Scholar-in-Residence, Schomburg Center for Research in Black Culture, 2018
    • Woodrow Wilson Career Enhancement Fellow, 2017
    • Princeton University Postdoctoral Fellow in African American Literature, 2013-2014
    • Riley Scholar-in-Residence, Colorado College, 2012-2013
  • Other Publications:

    Peer Reviewed Publications: 

    “New Empires: The Caribbean and the United States.” Caribbean Literature in Transition, 1920–1970, edited by Raphael Dalleo and Curdella Forbes, vol. 2, Cambridge University Press, Cambridge, 2021, pp. 225–240.

    “Toward a ‘Truly Indigenous Theatre’: Sylvia Wynter Adapts Federico García Lorca.” Postcolonial Reading Publics, special issue of Cambridge Journal of Postcolonial Literary Inquiry. 4.1 (2017): 49-67.

     “Hard Reading: U.S. Empire and Black Modernist Aesthetics in Eric Walrond’s Tropic Death.” MELUS 41.4 (2016): 96-115.

    “Beyond Authenticity: The U.S. Occupation of Haiti and the Politics of Folk Culture.” Journal of Haitian Studies21.2 (2015): 350-370.

    ONLINE ESSAY

    “The Transnational Labor of Black Resistance: Caribbean Intellectuals Protest the East St. Louis Riots.” small axe salon 26, Oct 2017. 

    BOOK REVIEW 

    “The Most Talked About Voice in America.”Review of Queen of Bebop: The Musical Lives of Sarah Vaughan by Elaine Hayes. Women’s Review of Books, May/June 2018

  • Membership Affiliations:
    • MLA
    • ASA
    • CSA
  • Other Information of Interest - 2:

    New Books Network Podcast: Turn the World Upside Down

  • Education:   Phd Columbia University  MA/MPhil Columbia University BA, Rutgers University-New Brunswick 
  • Brad Evans
  • Brad Evans
  • Chair of the English Department
  • Professor of English
  • Unit: Chair's Office
  • At Rutgers Since: 1999
  • EVANS_CV_5-30-25.pdf
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  • Office: Murray Hall, Room 105
  • Office Hours:

    Please email to set up an appointment: This email address is being protected from spambots. You need JavaScript enabled to view it.

     

  • Primary Areas of Specialization: Nineteenth and twentieth century American literature, the history of anthropology, periodical studies, and documentary film. Topics of current interest include pragmatism, the American short-story, and relational aesthetics.
  • Field of Interest: Book and Media History, Nineteenth-Century American, Pedagogy, Twentieth Century
  • About:

     Brad Evans is a specialist in 19th and 20th century American literature. He is the author of two books, Before Cultures: The Ethnographic Imagination in American Literature (2005) and Ephemeral Bibelots: How an International Fad Buried American Modernism (2019). He co-produced the restoration of In the Land of the Head Hunters, a 1914 silent feature film directed by the photographer Edward Curtis and starring an all-indigenous cast from the Kwakwaka’wakw community of British Columbia, Canada. The film is now listed in the National Film Registry of the Library of Congress. He has for many years led the Pragmatism Working Group at the Rutgers Center for Cultural Analysis. He is currently working on two projects. The first, tentatively titled Missed Connections: “Relational Aesthetics” from Henry James to Felix Gonzales Torres, considers the various ways that artists since the 1850s have taken up the remarkably difficult challenge of representing relations. The other is a book on chewing gum. 

     

  • Book(s):
    "Before Cultures: The Ethnographic Imagination in American Literature, 1865-1920 " by Brad Evans
    Before Cultures: The Ethnographic Imagination in American Literature, 1865-1920
    "Ephemeral Bibelots: How an International Fad Buried American Modernism" by Brad Evans
    Ephemeral Bibelots: How an International Fad Buried American Modernism
    "Return to the Land of the Head Hunters: Edward S. Curtis, The kwakwaka'wakw, and the Making of Modern Cinema" by Brad Evans
    Return to the Land of the Head Hunters: Edward S. Curtis, The kwakwaka'wakw, and the Making of Modern Cinema
  • Undergraduate Courses Taught:
    •  American Literature Survey 1865-Present
    • Principles of Literary Study, Fiction
    • 19th Century American Literature
    • 19th Century Black Literature
    • American Realism and Naturalism
    • Early 20th Century American Literature
    • The Short Story
    • The Cultural History of Now: Inequality, The New Gilded Age?
    • English Honors Thesis Proseminar
    • Science and Literature: Writing Forests
    • Seminar: American Vernacular
    • Seminar: Black Writing at the Fin de Siècle
    • Seminar: Henry James
    • Seminar: Henry James, Edith Wharton and the Ends of Realism
    • SAS Honors Interdisciplinary Seminar: What is Culture?
    • Byrne Seminar: The Paris Art Scene in 1900, Reading The Ambassadors
    • Byrne Seminar: Restoring A Silent Film
    • Byrne Seminar: What is Culture?
    • Byrne Seminar: The Fault in Our Fiction: John Green and Literary Criticism Today

     

  • Graduate Courses Taught:
    • Anthropology and American Literature
    • Foundations of Science Studies
    • Relational Aesthetics and American Literature
    • Franz Boas v. William James: Pluralism at the Turn of the Century
    • Circulation and Cultural Theory
    • Post-Bellum/Pre-Harlem
    • Locating American Realism
    • Local Color
    • An Infidelity to Realism
    • American Literature 1860-1925
    • From Balzac to Noguchi: American Literature 1860-1910
    • Henry James, Edith Wharton, and the Ends of Realism

     

  • Awards:
    • ACLS Fellowship, 2012-2013
    • Rutgers Center For Historical Analysis, Faculty Fellow, 2006-2007
    • Center for Cultural Analysis, Rutgers University, Teaching Fellow, 2006-2007
    • Andrew W. Mellon Time-Release Grant Zimmerli Art Museum, Rutgers University, Spring 2004

     

  • Other Publications:

    Recent Essays:

    • “The Short Story Fad: Gender, Pleasure, and Commodity Culture in Late Nineteenth-Century Magazines,” in ed. Michael J. Collins and Gavin Jones, The Cambridge Companion to the American Short Story (2023), 46-61.
    • “Realism as Modernism,” in ed. Keith Newlin, The Oxford Handbook of American Realism (2019), 139- 164.
    • “What Travels? The Movement of Movements; or, Ephemeral Bibelots from Paris to Lansing, with Love,” in eds. James J. Connolly, Patrick Collier, Frank Felsenstein, Kenneth R. Hall, and Robert G. Hall, Print Culture Histories Beyond the Metropolis (Toronto: University of Toronto Press, 2016), 181- 214.
    • “Relating in Henry James (The Artwork of Networks),” The Henry James Review 36:1 (Winter 2015) 1- 23. Also printed in Henry James Today, ed. John Carlos Rowe (Newcastle Upon Tyne: Cambridge Scholars Publishing, 2014) 7-40.

     

    Co-Authored Essays:

    • With Aaron Glass and Colin Browne, “ ‘Ethnology as an Epic’: The Modern Cinema of Edward S. Curtis that the Kwakwaka’wakw,” Getty Research Journal 16 (2022) 67-90.
    • With Aaron Glass, “Introduction. Edward Curtis Meets the Kwakwaka’wakw: Cultural Encounter and Indigenous Agency In the Land of The Head Hunters,” in eds. Evans and Glass, Return to the Land of the Head Hunters (Univ. of Washington Press, 2014) 3-41.
    • With Aaron Glass, “Consuming the Head Hunters: A Century of Film Reception,” in eds. Evans and Glass, Return to the Land of the Head Hunters (Univ. of Washington Press, 2014) 146-166.
    • With Colin Browne and Aaron Glass, “In the Land of the Head Hunters: In Situ, In Tempo,” in ed. Thierry Lounas, Cappricci 2013 (Paris: Capprici, SARL, 2013) 6-15.

     

    Online Publications:

    • “The Original Pussyhat?” Politics/Letters: http://politicsslashletters.org/the-original-pussyhat (Februay 27, 2017)
    • “In the Land of the Head Hunters,” (co-authored with Aaron Glass), National Film Registry, http://www.loc.gov/programs/static/national-film-preservation- board/documents/land_head_hunters.pdf (February 4, 2016)
    • “Introduction to Le Petit Journal des Refusées,” The Modernist Journals Project: http://dl.lib.brown.edu/mjp/render.php?id=mjp.2005.00.119&view=mjp_object (September 5, 2012)
    • “Vogue and Ephemera: The Little Magazines of the 1890s,” The Modernist Journals Project: http://dl.lib.brown.ed/mjp/render.php?view=mjp_object&id=mjp.2005.00.099 (June 1, 2010)

     

  • Membership Affiliations:
    • Executive Committee, Division of Late Nineteenth and Early Twentieth Century American Literature, Modern Languages Association (elected term 2010-2015; 2025-2030)
    • Board of Advisors, The Modernist Journals Project (dl.lib.brown.edu/mjp)
    • Executive Committee, Division on Anthropological Approaches to Literature, Modern Languages Association (elected term, 2001-2005; 2025-2029)
    • Member, American Anthropological Association
    • Member, American Studies Association
    • Member, Modern Languages Association

     

  • Other Information of Interest:
    • Companion website to Ephemeral Bibelots: https://sites.rutgers.edu/bibelots/
    • Companion website to In the Land of the Head Hunters film restoration project: www.curtisfilm.rutgers.edu

     

  • Education: PhD, University of Chicago BA, University of Cincinnati
  • Lynn Festa
  • Lynn Festa
  • Distinguished Professor of English
  • Unit: Associate Chair
  • At Rutgers Since: 2008
  • FestaCV2021_6116fabc86eb8.pdf
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  • Office: Murray Hall, Room 203C, College Ave Campus
  • Office Hours:

    Monday 5:15-6:45 and by appointment

  • Primary Areas of Specialization: British and French literature; thing theory; animal studies; histories of empire; postcolonial theory
  • Field of Interest: Restoration & Eighteenth Century
  • About:

    Lynn Festa specializes in eighteenth-century literature and culture, with an emphasis on the role played by literature and literary form in the elaboration of categories of human difference in Britain, France and their colonies.

    Her first book, Sentimental Figures of Empire in Eighteenth-Century Britain and France (Johns Hopkins, 2006), examined how the culture of sensibility welded the affective response to other people to broader structures of classification in order to both include and exclude individuals from the class of humanity. Her second book, Fiction Without Humanity: Person, Animal, Thing in Early Enlightenment Literature and Culture (Penn, 2019), drew on riddles, fables, novels, scientific instruments, and trompe l’oeil painting to analyze the shifting terms in which human difference from animals, things, and machines was expressed. Fiction Without Humanity won the 51st annual James Russell Lowell Prize from the Modern Language Association and the Oscar Kenshur Prize for the best interdisciplinary book in eighteenth-century studies from the Center for Eighteenth-Century Studies at Indiana University, and has been reviewed in the Times Literary Supplement and Public Books as well as in academic journals. With Daniel Carey, she co-edited The Postcolonial Enlightenment: Eighteenth-Century Colonialism and Postcolonial Theory.   Festa is the author of more than 25 articles and book chapters on a wide array of topics, including slavery, human rights, it-narratives, cosmetics, and a 1796 tax on dogs. Her article, “Personal Effects: Wigs and Possessive Individualism in the Long Eighteenth Century,” was awarded the James L. Clifford Prize for best article by the American Society for Eighteenth-Century Studies.

    Festa teaches undergraduate and graduate courses on eighteenth-century British and French literature; the history of the novel; narrative theory; colonialism, empire and the history of slavery; travel narrative; the Enlightenment understanding of human difference; animal studies; thing theory; the history of sensibility; eighteenth-century women writers, and Jane Austen. With David Brewer, she co-taught a Summer Seminar in the History of the Book on “Books in the Larger World of Objects” at the American Antiquarian Society in 2014. She received the Joseph R. Levenson Memorial Teaching Prize and the Roslyn Abramson Award for excellence in undergraduate teaching at Harvard and a Graduate Teaching Prize at the University of Wisconsin. She has served as Director, Associate Director, and Director of Admissions for the Rutgers English Graduate Program.

     Festa has been the recipient of numerous national fellowships, including a Radcliffe Institute for Advanced Study Fellowship at Harvard, an ACLS Charles A Ryskamp Research Fellowship, the M.H. Abrams Fellowship at the National Humanities Center, the NEH Fellowship at the Huntington Library, and a National Mellon Fellowship. She has given more than 120 talks nationally and internationally, including the North American Scholar Plenary lecture at the Jane Austen Society of North Ameria.

  • Book(s):
    "Fiction Without Humanity Person, Animal, Thing in Early Enlightenment Literature and Culture" by Lynn Festa
    Fiction Without Humanity Person, Animal, Thing in Early Enlightenment Literature and Culture
    "Sentimental Figures of Empire in Eighteenth-Century Britain and France" by Lynn Festa
    Sentimental Figures of Empire in Eighteenth-Century Britain and France
    "The Postcolonial Enlightenment:  Eighteenth-Century Colonialisms and Postcolonial Theory" by Lynn Festa
    The Postcolonial Enlightenment: Eighteenth-Century Colonialisms and Postcolonial Theory
  • Undergraduate Courses Taught:

    "In my teaching, I try to give students a sense of what makes the eighteenth century exciting and relevant to our historical moment, but I also want them to see how deeply alien it was. This was a period whose technologies, belief systems, and social structures were completely unlike those that construct the modern world. Part of why I love teaching eighteenth century texts is because of that electric contact with a way of thinking that is so emphatically not our own."

  • Other Publications:
    • "Person, Animal, Thing: The 1796 Dog Tax and the Right to Superfluous Things"
      Eighteenth-Century Life 33.2, Spring 2009
    • "Life, Liberty, and the Pursuit of Tahitian Jouissance" 
      Romance Quarterly 54.4, 2007
    • "Personal Effects: Wigs and Possessive Individualism in the Long Eighteenth Century"
      Romance Eighteenth-Century Life 29.2, Spring 2005
  • Other Information of Interest:
    • "Lynn Festa: New Faculty Profile" by Michael McKeon 
      (Future Traditions Magazine, Issue 2)
  • Education: PhD, University of PennsylvaniaMA, University of PennsylvaniaBA, Yale University

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